Abstract of dissertation.
Certain elements in our environment can support reflection, learning, transitions, and mental processing. These elements include water, symbolizing renewal; plants, representing nourishment for the mind; silence, which encourages introspection; and the presence of others, fostering a sense of shared experience (Kaplan & Kaplan, 1989). When combined, these elements can shape an architectural design that mirrors the mind’s processes—a journey that aids in the pursuit of mental awareness(Hillier, 1996). Using a more nature-driven mathematical approach, the golden ratio or ‘nature’s divine proportion’ provides a framework for organic movement and shape formation (Doczi, 1981), to entice a visual connection of form to site that resonates with the natural phenomena of the mind and environment (Frampton, 1983). Together, the cohesion of these concepts create a synchronized approach to space-making that pushes form-making within context to profoundly influence human consciousness (Nor - berg-Schulz, 1980). My research inquiry focuses on this coexistence: Where can architecture foster a deeper connection between humanity and nature to promote relaxation, mindfulness, and possible transcendence. Exploring the connection between humans and nature is valuable, with recognizing nature’s significance both for its own sake and for its impact on urban inhabitants. Sacral spaces, traditionally embedded in nature, foster mental rest and presence by encouraging detachment from past or future concerns.
Program of thesis project.
A community monument rooted in the principles of the golden ratio and the pursuit of architecture that fosters mental aware - ness. The monument celebrates the connection between water and earth in Chisamba, an agricultural region in Zambia. Given the region’s reliance on water for agriculture, the building em - braces the cyclical nature of water through rainwater harvest - ing, surface exposure, and aquifer replenishment, symbolizing a harmonious balance between natural systems and human in - genuity. To evoke mental awareness, the design incorporates an under - ground chamber sculpted from rammed earth. This space, nes - tled within the earth, inspires serenity and spirituality, encour - aging an introspective experience. Above ground, an open-air stage with a high roof hosts communal gatherings, performanc - es, and seasonal ceremonies. A kitchen, regarded as the heart of the space, is included to support these gatherings, ceremonies, and the daily preparation of agricultural produce. To honor the region’s heritage, copper—Zambia’s primary ex - port—is used to line gutters and water channels. This choice en - hances the water’s reflective qualities and sound within the wa - ter capture systems, elevating the aesthetic value of otherwise utilitarian materials. The focus on scale, the creation of public “well-tempered” en - vironments, and efficient roof catchments forms the primary purpose of the structure, aiming to enhance accessibility and usability for farmers and the broader community